
Dicapo Opera Theatre
184 East 76th Street
New York, NY 10021
(212) 288-9438
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2008-2009 SEASON
... it just gets better and better!
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Beauty
and the Beast |
January 24 & 25, 2009 |
[ tickets ] |
Le
nozze di Figaro |
January 30, 31 & February 1, 2009 |
[ tickets ] |
Jazz
at Dicapo |
February 6 & March 29, 2009 |
[ tickets ] |
Šárka |
February 19, 21, 27 & March 1, 2009 |
[ tickets ] |
L’Italiana
in Algeri |
April 16, 17, 18 & 19, 2009 |
[ tickets ] |
Auditions
for the Opera Competition and Festival with Mezzo Television |
March 31, April 1 & 2, 2009 |
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Auditions
for Dicapo Opera Theatre 2009-2010 Season
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Open Auditions May 5, 6 & 7, 2009 |
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Dicapo
Opera Theatre announces 2008-2009 Season. |
Dear Opera Lover,
It is with great excitement that I share with you Dicapo’s new season
of world-class theater and adventurous programming.
In keeping with Dicapo’s commitment to combine beloved masterpieces with
the bold and the daring, we launch five brand new productions: Turandot, Giacomo
Puccini’s last opera, Robert
Ward’s American classic The Crucible directed by the sensational
Hungarian director, Robert Alföldi in his New York debut,
the New York premiere of Tobias Picker’s Fantastic Mr. Fox conducted by the composer himself and directed by the exciting
young English director Walter Sutcliffe in his American debut,
the American premiere of Janácek’s Šárka and Rossini’s
comic
masterpiece L’Italiana in Algieri.
This season we are proud to honor the great Giacomo Puccini,
on the occasion of his 150th birthday, December 22, 2008,
with a gala concert at Lincoln Center.
With something for everyone, the season also features our very popular Dance
at Dicapo series,
a world premiere monodrama with music by Kurt Weill, and our annual Family
Programming,
all in our plush jewel box theater at prices so low you will want to sample
them all.
With the number of opera productions in New York City reduced this season,
this is the perfect
time to give Dicapo Opera Theatre a try. Don’t miss a beat. Make the
call. Subscribe now and
experience what the The New York Times called “the visceral wallop and
power of opera.”
Michael Capasso
General Director
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